Book Recommendation

Women’s History Month: Filling in the Gaps

By Kirsten W. Larson, Elisa Boxer, and Lindsay H. Metcalf

History isn't written in stone. More is being uncovered each day about how women and BIPOC played a role in the past. It's our job as writers to seek out these stories and fill in the gaps of contemporary understanding. In honor of Women’s History Month, three Soaring '20s authors discuss how they approach their work with this in mind.

  1. Putting Women Back in the Narrative

In the middle ages, Maria Merian documented the life cycle of butterflies, proving they grew from caterpillars and upending the idea that they were born from mud. In the 1800s, Ada Byron Lovelace wrote the first computer code. And at Harvard Observatory Annie Jump Cannon created the classification system for stars, while Cecilia Payne discovered what the stars were made of. The truth is, women have been involved in science, engineering, and math (as well as art and literature) for centuries. But you wouldn’t know that from reading most history textbooks. 

Somehow women have found themselves written out of the historical record. This may be because we so often focus on those who are first to achieve something versus appreciating all those who are working toward a goal. We spotlight those who are considered “the greatest” in their field (historically chosen by and restricted to men). And we focus on great military and political leaders in U.S history, areas women traditionally were barred from. This is the reason I write women’s history—to put women back into the story where they have belonged all along.

I wrote WOOD, WIRE, WINGS: Emma Lilian Todd Invents an Airplane, illustrated by Tracy Subisak (Calkins Creek, available now) for just this reason. Beginning three years after the Wright Brothers, Lilian, a self-taught inventor and engineer, designed a working airplane from her own imagination. Yet despite numerous newspaper and magazine articles about her efforts, she has been all but erased from history. There is no biography. No museum or college has a collection of her letters or purchased her scrapbook when it was offered for sale on eBay. But I wanted both boys and girls to know women not only flew airplanes in the earliest days of aviation, but also designed them. My hope is that by showing a more nuanced view of history, we may inspire all children to create a more inclusive future, especially in STEM fields where women have been long underrepresented.

Here are a few other books that put women back in the narrative:

Grace Hopper: Queen of Computer Code, by Laurie Wallmark and Katy Wu

Pocket Full of Colors: The Magical World of Mary Blair, Disney Artist Extraordinaire, by Amy Guglielmo and Brigette Barriger

Ada Lovelace, Poet of Science: The First Computer Programmer, by Diane Stanley and Jessie Hartland

Hidden Figures: The True Story of Four Black Women and the Space Race, by Margot Lee Shetterly and Laura Freeman

And I am looking forward to the forthcoming She Was the First!: The Trailblazing Life of Shirley Chisholm, by Katheryn Russell-Brown and Eric Velasquez

 

2. Spotlighting Women Who Worked Behind the Scenes

When it comes to women’s suffrage, we hear a lot about the fighters on the front lines, like Susan B. Anthony and Elizabeth Cady Stanton. And while these women certainly deserve all the accolades they’ve received, there were so many women working behind the scenes, doing what they could from the confines of their homes, since that’s where society kept them, for the most part.

In the case of Febb Burn, the heroine in my book THE VOICE THAT WON THE VOTE: How One Woman’s Words Made History (Sleeping Bear Press, March 15) the fact that she was stuck at home and felt shut out of the political process drove her to take the seemingly small action of writing a letter to her son, who turned out to be the swing vote in the Tennessee legislature. 

Febb's words were enough to change her son's vote, and the rest, is, well, history!

Elisa’s book picks:

Brave Girl: Clara and the Shirtwaist Makers’ Strike of 1909, by Michelle Markel and Melissa Sweet

Shaking Things Up: 14 Young Women Who Changed the World, by Susan Hood and various illustrators

The Youngest Marcher: The Story of Audrey Faye Hendricks, a Young Civil Rights Activist, by Cynthia Levinson and Vanessa Brantley Newton

 

3. Expanding Beyond the Single Story

While there is a dearth of women in our historical narratives, a handful snag the spotlight over and over, for good reason. Stories of women like Helen Keller, Harriet Tubman, and Frida Kahlo inspire us with their fortitude, persistence, and refusal to capitulate to the pressures of the patriarchy. But how much does the average person really know about these women? How much do we know about the women who influenced famous men? 

Our ability to connect personally to history is crucial if we are going to avoid repeating the mistakes of the past. Each of us is a multifaceted, intersectional individual, and likewise, historical heroes are so much more than the single story that often gets distilled. The space I try to occupy with my own work is in the nuances found by delving deep. This is how I came to write BEATRIX POTTER, SCIENTIST, illustrated by Junyi Wu (September 2020, Albert Whitman & Company).

As a child, I loved to pore over The Tale of Peter Rabbit. But to me his creator seemed abstract: an all-caps name on the front of a book who was talented with words and art. 

When I learned that Beatrix Potter had spent a decade obsessing over fungi before she ever published a children’s book, I was surprised and intrigued. Suddenly she was a three-dimensional human who indulged curiosity, stared down setbacks and discrimination, and reveled in her pure enchantment with nature. All of that resonated with the girl in me who was told no, who grew up on a farm believing that her dreams might be just out of reach. Beatrix’s drive—her ability to switch gears and reinvent herself—resonates with the adult version of me, a journalist by training, children’s author by grit, and forever fan of the natural world. 

Because picture books are short, my book doesn’t cover all the interesting threads of Beatrix’s life. I’m thrilled that another picture book out this year explores her influence as a conservationist (shown below). 

The market has room for innumerable more books that explore influential yet underreported eras of the lives of historical figures. Here are a few books that do just that:

Frida Kahlo and Her Animalitos, by Monica Brown and John Parra

Before She Was Harriet, by Lesa Cline-Ransome and James B. Ransome

Hedy Lamarr’s Double Life: Hollywood Legend and Brilliant Inventor, by Laurie Wallmark and Katy Wu

Leave It to Abigail! The Revolutionary Life of Abigail Adams, by Barbara Rosenstock and Elizabeth Baddeley

Saving the Countryside: The Story of Beatrix Potter and Peter Rabbi, by Linda Elovitz Marshall and Ilaria Urbinati


What are some of your favorite books that write women back into history?

WOOD, WIRE, WINGS and the Process of Engineering a Story

Happy (Belated) Book Birthday, Plus a Signed Book Giveaway!

By Kirsten W. Larson

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In 1906, just three years after the Wright Brothers first flew, Emma Lilian Todd, an inventor and self-taught engineer, looked at the airplane designs of the day and decided she could build something better. The process of creating her own unique airplane took Lilian four years, multiple designs and redesigns, and numerous tweaks and tests. Nevertheless, she persisted (as they say).

One of my favorite images of Lilian Todd, hard at work in her workshop, which was also her studio apartment. Photo credit: The Library of Congress.

One of my favorite images of Lilian Todd, hard at work in her workshop, which was also her studio apartment. Photo credit: The Library of Congress.

Like Lilian, I spent four years finding the best way to tell her story, including trying out multiple formats and revisions sent out to critique partners and others to “test” my story. This week is the official birthday of WOOD, WIRE, WINGS: Emma Lilian Todd Invents an Airplane, illustrated by Tracy Subisak and published by Calkins Creek. In celebration, I thought it would be fun to take a look back at some of my early “designs” with a focus on my opening line.

I started this book in author Susanna Hill’s Making Picture Book Magic class in March 2014. From the start, Susanna encouraged a flexible approach to writing and required us to brainstorm several first lines. I selected this one for my first draft:

“Even as a child, Emma Lilian Todd couldn’t hold a bit of wire or tin without twisting and turning them and making something new.” (March 2014)

I loved this first line from the start. It spoke to Lilian’s visceral need to make. Inventing wasn’t something Lilian chose, but something she had to do, as elemental as breathing. The line had a lot of heart.

Like Lilian, airplanes were in my blood. Here I try on my dad's flight helmet.

Like Lilian, airplanes were in my blood. Here I try on my dad's flight helmet.

But like Lilian, I wasn’t satisfied. I kept tinkering in response to conference critiques and brainstorms I had for new directions. As is often the case, successive attempts didn’t necessarily improve my design. Here’s another crack at it from a year later:

“Toolbox by her side, Emma Lilian Todd whacked and snapped and snipped. In her hands, wood, wire, and tin transformed into toy airplanes.” (Feb. 2015)

This time I started the story not with Lilian as a child, but as an adult tinkering with toy airplanes. The lines have some nice alliteration and vivid verbs. Yet looking back on it now, I see that this approach didn’t speak to Lilian’s character as much as my initial first line from March 2014. Still, this is the version that enticed my agent (whew!) and eventually went out on submission to editors.

I soon learned my latest version wasn’t quite good enough to soar — yet — as many rejections came my way. Lucky for me, Carolyn Yoder, my brilliant and patient editor at Calkins Creek, offered me the opportunity to revise and resubmit my draft, encouraging me to add both context and heart. I tinkered some more and came up with this:

“Even as a small child, when Emma Lilian Todd saw problems, she sought solutions. At first, the problems were small, like how to find metal to make her inventions (Answer: She saved tin cans from her supper.) But as Lilian grew, so did the problems she wanted to solve.”(Jan. 2017)

Now, if you’ve read the book, you know this is close, but not the final opening. It captures Lilian’s problem-solving nature and places her invention of the airplane in that context. But let’s face it, it’s a bit flat.

Carolyn encouraged me to tweak my design AGAIN, and in April 2017, we came up with the final opening, part of the final design that soars onto shelves today.

 “To Emma Lilian Todd, problems were like gusts of wind: they set her mind soaring. Sometimes the problems seemed small, like where to find metal to craft her inventions. (Solution: she saved tin cans from her supper.) But soon Lilian’s challenges ballooned.”

The opening still speaks to Lilian’s fundamental need to solve problems. Yet it uses lyrical language, including simile, alliteration, and assonance, which help it sing. My word choices also hint at aviation by invoking gusts of wind and balloons.

In my first job after college, I traveled to air shows like the Reno Air Races to talk to the public about NASA and its aviation programs. It was good training for writing a picture book about airplanes!

In my first job after college, I traveled to air shows like the Reno Air Races to talk to the public about NASA and its aviation programs. It was good training for writing a picture book about airplanes!

Through this lengthy process, I came to realize that crafting stories (and even airplanes) is not necessarily about the flash of inspiration or the initial effort. The ability to create something that really works comes down perspiration — in other words, persistence — over many years.

So here’s my advice to writers: If a story speaks to your heart, stick with it. Keep tinkering and tweaking your draft. Make sure you add to your toolbox along the way, keeping up with the latest designs (by reading new books) and honing your craft. Someday the book of your heart will take flight, too.

Book Details

WOOD, WIRE, WINGS: Emma Lilian Todd Invents an Airplane

by Kirsten W. Larson
Illus. by Tracy Subisak

Pub Date: February 25, 2020
ISBN: 978-1-6297-9938-4
Publisher: Calkins Creek

GIVEAWAY DETAILS:

In celebration of the book birthday of WOOD, WIRE, WINGS, I’m giving away a signed copy to one lucky follower. Enter using the Rafflecopter below. Entries will close at 11:59 PST on March 4. Winners will be chosen at random and announced here and on social media on March 11.


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Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. Kirsten’s debut book, WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak, is available now from Calkins Creek. THE FIRE OF STARS: The Life and Brilliance of the Woman Who Discovered What Stars Are Made Of, illustrated by Katherine Roy (Chronicle), will follow in fall 2021. Kirsten also has written 25 nonfiction books for the school and library market.

Follow Kirsten:
Twitter: @kirstenwlarson
Instagram: @kirstenwlarson
Website: kirsten-w-larson.com

Top Ten Things to Love About Picture Books (A Book Birthday Countdown)

by Christina Soontornvat
author of The Blunders: A Counting Catastrophe!

10. They are meant to be shared with someone — a child, a grownup, or even a whole classroom full of wiggly people.

9. You can give your favorite ones as gifts to nice people. Mean people should never be given picture books. Give them smelly cheese, loosely wrapped in thin newspaper instead. 

8. They can be so silly that you bust a gut laughing (like KID COACH by Rob Justus).

7. They can be so moving that they bring a tear to your eye (like MUSLIM GIRLS RISE by Saira Mir and Aaliya Jaleel).

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6. They don’t have to have any words at all (like DRAWN TOGETHER by Minh Lê and Dan Santat).

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5. You can read them again and again and again. (When you are the parent of a three-year-old, this can seem annoying at the time, but years later you will still remember all the words to CHICKA CHICKA BOOM BOOM, and that’s gotta be worth something). 

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4. Sometimes when you read them again, you catch something that you missed the first time (like in TEA PARTY IN THE WOODS by Akiko Miyakoshi).

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3. They can help you feel fully seen, and loved just as you are (like JUST LIKE ME, by Vanessa Brantley-Newton).

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2. We picture book authors write our books for children, but you don’t have to be a child or have a child to enjoy them. In fact, I think our world would be a way better place if all the grownups read a picture book every day.

1. Wait . . . I don’t have this one . . . hold on a second — I must have lost count!

Annnnd . . . cue the segue to my new picture book, out today:
THE BLUNDERS: A COUNTING CATASTROPHE! (Gosh, that was brilliant, wasn't it? You never saw that coming.)

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Book Details

THE BLUNDERS: A Counting Catastrophe!

by Christina Soontornvat
Illus. by Colin Jack

Pub Date: February 11, 2020
ISBN: 978-1-5362-0109-3
Publisher: Candlewick


Cathlin McCullough Photography

Cathlin McCullough Photography

Christina Soontornvat is the author of several books for young children, including the Diary of an Ice Princess chapter book series and the forthcoming novel, A Wish in the Dark. The Blunders: A Counting Catastrophe! is her first picture book. Learn more about all her books at www.soontornvat.com/books/


Connect with Christina:
Twitter: @soontornvat
Instagram: @csoontornvat

Connect with illustrator Colin Jack:
Tumblr:
colinjack.tumblr.com
Instagram: @colinjackstories