20 Questions

20 Questions: The It Factor

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve decided to just keep the questions coming!)

This month’s question:

How do you ensure your books have that special “It Factor?” 

Hope Lim

“I don’t presume that my books have an ‘It Factor’ but one thing I hope to accomplish in my stories is the exploration of more than one thematic element. My storylines may seem simple but underneath the simplicity, a deeper meaning can be extracted and discussed. For example, SOURGRASS is about finding a way to live in hope after a difficult time of parting with a friend. At the same time, it uses spring as the context for return and renewal, while demonstrating the beauty of keeping promises and the importance of trust in relationships.”

– Hope Lim, author of Sourgrass illustrated by Shahrzad Maydani (Beach Lane Books, 2024) 


Patricia Newman

“The ‘It Factor’ is a personal connection for me and my readers. As I write I ask myself over and over, ‘Who cares?’ Once I find my inner spark of connection, I put all that passion on the page. My books tend to be persuasive, so once I find the child’s connection to the topic it’s fun to empower them to care.”

– Patricia Newman, author of Eavesdropping On Elephants (Millbrook Press, 2019)


Valerie Bolling

“My critique partners help me ensure that my books have an ‘It Factor.’ They regularly read stacks of picture books, attend webinars, and are members of writing communities. In other words, they know what makes stories pop, so their feedback is critical to helping me polish my manuscripts. In addition, I have an amazing editorial agent who adds his feedback, and I’ve been fortunate to work with editors who help me fine-tune my stories even further.  

– Valerie Bolling, co-author with Kailei Pew of I See Color , illustrated by Laylie Frazier (Harper Children’s, 2024)


Kirsten W. Larson

“I think what sets my books apart are their unique structures, which coincide with the topic I’m writing about. The story structure of Wood, Wire, Wings, the story of the first women to design an airplane on her own, follows the engineering design process. A True Wonder, a book about the invention of the comic book hero, Wonder Woman, is told in comic book format. And The Fire of Stars, a book about the woman who discovered what stars are made of, parallels her formation as a “star scientist” with the process of star formation. These unique structures bring something special to the table.”

– Kirsten W. Larson, author of The Fire of Stars, illustrated by Katherine Roy (Chronicle 2023)

20 questions: Drawing from real life versus making things up

Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve decided to just keep the questions coming!)

This month’s question:

What in your latest book is drawn from real life, and what, if anything, is made up?

Valerie Bolling

“In my RAINBOW DAYS early reader series, Zoya and her puppy, Coco, love to create art together. In THE ORANGE WALL, Zoya paints her room. When she finishes painting, she decides to… (spoiler alert) paint a mural on one of the walls. The idea for what she paints on that wall was inspired by my own experience. I enjoy walking in the woods, and so Zoya paints a scene of herself, walking in the woods with her dad and Coco.” 

– Valerie Bolling, author of RAINBOW DAYS: THE ORANGE WALL, illustrated by Kai Robinson (Scholastic, 2024)


Candy Wellins

“A GEODUCK IS NOT A DUCK examines the very real geoduck, the world’s largest species of burrowing clams. Pronounced “gooey duck,” a made-up news crew (comprised of a talking Sea Star, giant Pacific Octopus, and Otter) is on a mission to find an actual gooey duck. A knowledgeable crab is full of real facts about geoducks that are misunderstood again and again.”

–Candy Wellins, author of A GEODUCK IS NOT A DUCK, illustraded by Ellie Peterson (Little Bigfoot, 2024)


Margaret Chiu Greanias

In HOW THIS BOOK GOT RED, Red, a red panda, recognizes that none of the books are about her kind of panda, so she decides to write her own. In the midst of struggling with writing her story, she sees a town where red panda representation is missing: in books, in merchandise, all the way down to the doll a baby red panda holds. The idea behind this story came from my childhood growing up with very little positive Asian representation in media and books. Like the baby red panda holding the giant panda doll, the dolls I played with looked nothing like me. 

– Margaret Chiu Greanias, author of HOW THIS BOOK GOT RED, illustrated by Melissa Iwai (Sourcebooks Jabberwocky, 2023)


Hope Lim

“In Sourgrass, when Sofia and May venture out into the wild field, they nibble the stems of sourgrass and giggle. This scene came straight out of my kids’ preschool years. I chaperoned a field trip to a community garden located up on a grassy hill, and watching them smile under the bright sunshine in a field of sourgrass is one of my favorite memories from my kids’ preschool era. The two characters, Sofia and May, and the resolution of their story are made up. However, all the fun things Sofia and May enjoy in their yards and beyond come from real life. As a child, I played outside all the time, running through the fields and climbing mountains, and my kids also loved being in nature, always finding ways to have fun. I used these real-life memories of being outside in SOURGRASS.”

– Hope Lim, author of SOURGRASS, illustrated by Shahrzad Maydani (Beach Lane Books, 2024)

20 Questions: Books we are looking forward to in 2024


Welcome back to our series, 20 QUESTIONS!,

where we answer questions about writing, reading, and author life.

(Note that we enjoy the series so much we’ve decided to just keep the questions coming!)

This month’s question:

What book are you looking forward to in 2024? (Not your own)

Candy Wellins


Round and Round the Year We Go by Carter Higgins (Neal Porter Books). I love Carter’s unique perspective on patterns and I can’t wait to see how she handles the cyclical routines of a calendar year.”

—Candy Wellins, author of A GEODUCK IS NOT A DUCK, illustrated by Ellie Peterson (Little Bigfoot, 2024)


Elisa Boxer

The Quiet Forest by Charlotte Offsay, illustrated by Abi Cushman (Paula Wiseman Books). I’m a big fan of anything illustrated by Abi Cushman and written by Charlotte Offsay, so I am doubly looking forward to this one! I’ve already laughed out loud at a couple of the spreads I’ve seen so far, and the theme of togetherness is warmly welcome these days.”

—Elisa Boxer, author of THE TREE OF LIFE: HOW A HOLOCAUST SAPLING INSPIRED THE WORLD, illustrated by Alianna Rozentsveig (Penguin/Rocky Pond Books, 2024)


Kelly Carey

Alpaca’s Make Terrible Librarians by Kristi Mahoney, illustrated by Chantelle and Burgen Thorne (Gnome Road), will mark the debut of author Kristi Mahoney. Kristi has a knack for animal fact humor and this one will have you messy laughing like a spitting alpaca. Couple Kristi’s writing with adorable art from Chantelle and Burgen Thorne and this is a book I can’t wait to get my hands on.”

—Kelly Carey, author of HOW LONG IS FOREVER, illustrated by Qing Zhuang (Charlesbridge) 


Kirsten W. Larson

“Sea Without A Shore: LIfe in the Sargasso by Barb Rosenstock, illustrated by Katherine Roy (Norton Books for Young Readers). I have always admired Barb Rosenstock’s nonfiction writing, and after working with Katherine Roy, I eagerly await each and every book she works on. Her research and dedication to detail is meticulous. I know she and Barb even had a research trip to Bermuda!”

—Kirsten W. Larson, author of THE FIRE OF STARS, illustrated by Katherine Roy (Chronicle Books)